Some tips to improve the decoration of my living room?

Sketching is something we are all familiar with. Since child years, we have been attached to the drawing.
And in modern decorating, people also start to regard the part that decorates a home as an image.
Modern Abstract Art On Canvas is popular in any of individuals favorite.
Modern Abstract Painting can decorate a home already, look beautiful also.
So next, by small makeup, for everyone to introduce the selection standard of fashionable add on the picture.
The room of Europe type style suits to match painting work, Abstract Canvas Art pastoral decorates a method to be able to match the oil painting of flower theme.
The room that slants the Chinese style had better choose Chinese painting, watercolor, and gouache to wait around, the design is given concern to traditional freehand brushwork landscape painting, flower parrot fish insect.
You can also choose paintings made with special materials, such as flower-and-mud paintings, paper-cuts, woodcuts, and knots.
Slant modern decorate suit to fit a few impression, fuzzy kind oil painting, the decoration style of avant-garde vogue such as postmodern suits to match the adornment picture that has modern abstract subject matter
particularly, also can choose the adornment picture with dye-in-the-wood individual character.
Fashionable add on the picture – the collocation of space
The first drop of sight is the best position.
The particular first point that gets into the home line of sight is the place that should put add on picture most, so you won’t feel the walls in the home is very empty, produce a fresh feeling.
The corner decoration changes direction of eyesight.
On the two sides walls of the corner, on one side wall puts two picture, Large Abstract Canvas Art on a single style on the other side wall puts a picture, form the combination of L on the wall, can boost
the interest of the fabric board.
A stair adornment picture can be irregular.
The metope area that is opposite is very big, so can ask professional personage to draw a design on metope.
When the area is not large, you can place irregular decorative paintings along the contour of stairs.
Color choice has taboo.
The indoor whole that general contemporary home installs a style gives priority to white when matching adornment picture more give concern to with yellow-red attune.
If the inside decoration color is very stable, you can choose the advanced gray, Abstract Wall Art Cheap creative decorative painting.
The form of decorative artwork should echo the shape of the space.
If the space metope that places adornment picture is a rectangular shape, so can choose the single adornment picture of the same form or more popular mixture adornment picture;
If some places require a semicircular decorative picture, leave space.

Artist Ed Atkins-large wall art for living room

Large wall art for living room-Artist Ed Atkins’ solo exhibition “Us Dead Talk Love” is currently on display at London’s Chisenhale gallery.
The work of the same name on display is a two-channel high-definition image.
Art writer and independent curator Sophie Risner recently spoke to the artist via email.

Sophie Risner: Big Black and White Canvas Art I just found out that you participated in the Whitechapel gallery’s 2012-13 “Writer in Residence” project, which has
imperceptibly provided important meaning for me to understand your works, especially in the context of the exhibition “Us Dead Talk Love”.
I don’t want to complicate our communication too much at the beginning, Large Black and White Art but since this email interview will be placed in an art magazine that attracts the
attention of art critics, I still want to ask you a question — how important are words to your artistic practice?
(each year, the Whitechapel gallery invites a writer to plan a series of activities for it, to conceive writing as art, to conceive as the lens through which art can be experienced, and to provide a platform for experiment and
discussion.) Handmade Black White Geometric Art

Ed Atkins: words are decisive in my artistic practice.
Reading and writing — often a combination of both — and many of the structures and techniques used in photographic work are the shifting gestures of those words.
It seems to me that they all originated in literature.
It is also a way of resetting and combining — both technically and imaginatively.
To be honest, fluency in reading and writing is the most important — they are also often the means of thinking and improvising.
The gap between an idea and what it is written about is narrowing dramatically.
Or that the gap between thinking about something and being able to understand it is narrowing — which should be more interesting.
We are approaching a situation in which the two are almost entirely simultaneous.
The same is true for image construction.
For me, perhaps the main difference is that the written word can provide a way in which certain representational deadlocks are central and the image cannot.

Sophie Risner: how did you come up with this eyelash story?

Ed Atkins: I wanted to find a picture that would show my thoughts on a wide range of topics that were not fluid: death, sex, narcissism.
A man has found an eyelash that ACTS as a possible location for a parcel of exploratory metaphor and thought.
Such symbolism may seem particularly powerful, but in fact it is ambiguous and contradictory, and at the same time it is not abrupt enough.
It is not only stiff and direct in the mediocre sincerity,Great Big Canvas Art  but also full of the possibility of substituting behavior.

Sophie Risner: your work seems to be full of rich montage elements, and I’m particularly interested in the ideology of “eyes” and “eyelashes”.
Are they directly related to the work of George Bataille? Ed Atkins: there’s no direct relationship, although I can’t ignore the slight similarities that might exist in the content.Of course, I am his admirer.

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